Marian Anderson: My Lord, What a Morning


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“Easter Sunday,” an excerpt from Marian Anderson’s autobiography, My Lord, What a Morning (1956) details the world-renowned contralto’s recollections of her most famous performance. A landmark in African American history and a prelude to the civil rights movement of the 1950s and 1960s, Anderson’s 1939 Easter Sunday concert at the Lincoln Memorial in Washington, D.C., developed when the Daughters of the American Revolution (DAR) denied her the opportunity to perform at Constitution Hall...